Dancing through Sicily:
first video shoot with the
Canon EOS R6

Balerina pleše unutar ruševina hrama u blizini Palerma na Siciliji.

Španski kinematograf Havijer Kortez bio je prvi profesionalac koji je poneo Canon EOS R6 na video snimanje – snimao je dvoje baletana na putovanju po Siciliji, a početna tačka je bio hram Segesta. „Za mene je to uvek više od običnih snimaka – želim da ispričam jednostavnu priču“, kaže on. Snimljeno pomoću Canon EOS R6 sa objektivom Canon RF 24-70mm F2.8L IS USM pri 24 mm, 1/5.000 s, f/2,8 i ISO 400. © Javier Cortés

Weaving through the columns of an ancient temple, a ballerina is caught in the light of the breaking dawn, her flowing dress highlighted against the shadows thrown by the crumbling colonnade. The scene marks the start of a voyage through north-western Sicily, captured by Spanish cinematographer and Canon Ambassador Javier Cortés on the full-frame mirrorless Canon EOS R6.

"Filmmaking has the power to take you on a journey," says Javier, who shoots video and stills for high-end fashion brands and editorial publications, including Vogue and Harper's Bazaar. "My goal was to capture the fluidity of the dancers' bodies, the sensation of strength."

With extra-wide dynamic range thanks to Canon Log, up to 8-stops of Image Stabilization,1 4K video at up to 60p, and support for 10-bit YCbCr 4:2:2 internal recording, the Canon EOS R6, the latest addition to Canon's EOS R System family of cameras, is a formidable filming tool. From temple to theatre, pavement to palazzo, Javier put it through its paces, capturing cinematic footage from a full- frame mirrorless workhorse.

Faultless AF tracking and 8-stops of IS*

Javier's narrative began at the ancient Temple of Segesta near Palermo, the capital of Sicily. "I've always been interested in movement and how bodies look in front of the camera," he says. "I used slow motion at 50p to capture the dancer, her dress and how her skin looked in the morning light. I wanted to show how she tells a story with her body."

The Canon EOS R6's intelligent AF system enabled Javier to lock onto the ballerina's face and keep it in sharp focus while moving around her. "I wanted to shoot wide open shots that finish on her arms or face," he says. "She was pirouetting and jumping but the camera stayed focused. I couldn't believe it – I thought I'd lose the focus on her eyes."

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Balerina pleše na svetlu koje ulazi kroz otvorena vrata. Ostatak prostorije je u senkama.

„Automatski fokus sa praćenjem zaista je impresivan za fotografije, ali je za video potpuno neverovatan – nisam mogao da verujem.“ Snimljeno pomoću Canon EOS R6 sa objektivom Canon RF 50mm F1.2L USM pri 1/750 s, f/2 i ISO 200. © Javier Cortés

Krupni plan lica žene koja gleda nagore i od fotoaparata.

„Ovaj fotoaparat vam pruža fleksibilnost. Ekran sa promenljivim uglom omogućava vam da lako promenite ugao iz kojeg snimate.“ Snimljeno pomoću Canon EOS R6 sa objektivom Canon RF 50mm F1.2L USM pri 1/500 s, f/1,4 i ISO 100. © Javier Cortés

In his commercial work Javier often operates with large crews but he relished the opportunity to return to his single-shooting roots. "I've got used to having big teams, but here I came back to working just with the camera," he says.

The Canon EOS R6's innovative in-body Image Stabilization (IS) – offering up to 8-stops of IS1 – meant that Javier could shoot handheld and capture perfectly smooth video footage.

He tested the IS by shooting with two cameras, one in each hand, each fitted with a stabilised lens but one with IS on and one with the IS off. "I was moving around with the cameras on my arms and it was amazing," he says. "The stabilisation is very effective."

Balerina pleše na plaži obasjanoj mesecom, uz osvetljene zgrade u pozadini.

Ples na pesku na plaži Mondelo. „Mesečina bi trebalo da napravi visok kontrast, ali su vidljivi detalji u senkama i na odeći, a mogao sam da zabeležim i kretanje. Nisam navikao da dobijam ovakve slike [kada snimam] noću“, kaže Havijer. Snimljeno pomoću Canon EOS R6 sa objektivom Canon RF 50mm F1.2L USM pri 1/40 s, f/1,4 i ISO 32.000. © Javier Cortés

Rich colours in low light with high ISO

Arriving at Segesta in the dark meant pushing the camera's low-light capabilities. Javier paired the Canon EOS R6 with fast aperture RF lenses, a Canon RF 50mm F1.2L USM, a Canon RF 85mm F1.2L USM and a Canon RF 24-70mm F2.8L IS USM, in order to get the most light to the 20MP full-frame sensor.

"At sunrise you don't have much light or contrast, so I started shooting with higher ISOs," Javier says. "I was really impressed with the camera's performance in low light – the colour rendition was amazing. Colour is important to me. I decide which camera and lenses I am going to use based on how they develop colour. When I was shooting at the temple, I imagined the colour of the sunrise, and everything I imagined, I got."

The other locations provided further lighting challenges, from a darkened theatre to a beach illuminated only by moonlight. Inspired by moonlit portraits he'd previously taken in the Sahara Desert, Javier hoped to translate his creative concept to video, shooting a ballerina dancing along the water's edge at Mondello Beach.

Baletan Li Džej Hoj pozira ispred klasičnih građevina u Palermu na Siciliji.

Dancing into the light: first stills shoot with the EOS R6

Canon Ambassador and fashion photographer Wanda Martin on the first-ever shoot with the full-frame mirrorless Canon EOS R6.

"I didn't have the supermoon I wanted, but I had three quarters of the moon and the lights of the city. I was using high ISOs – ISO64000 and ISO32000 – and it worked well, giving impressive colour and high dynamic range.”

Snimak baletana u okviru vrata u susednoj prostoriji.

Havijer je sa oduševljenjem prihvatio priliku da se vrati korenima solo snimanja. „Navikao sam da radim sa filmskim kamerama i sa timom, ali obožavam da snimam sam – ovaj fotoaparat pruža odlične kreativne mogućnosti, kao i razne mogućnosti za improvizaciju.“ Snimljeno pomoću Canon EOS R6 sa objektivom Canon RF 24-70mm F2.8L IS USM pri 24 mm, 1/350 s, f/2,8 i ISO 800. © Javier Cortés

Flexible, creative hybrid shooting

Originally a stills-only fashion photographer, Javier has become known for working across stills and video and is regularly tasked with delivering both on editorial and commercial jobs. Having a flexible hybrid camera that can switch between the two at the touch of a button was particularly welcome. "On every shoot I have my photo camera and my cinema camera, but in this case I could continue shooting with the same camera," he says. "It's really magical."

The Canon EOS R6's high-resolution Vari-Angle touchscreen allowed him to capture the action from all angles. "I am always on the floor shooting or leaning on walls," explains Javier. "With this camera, without needing a big ladder, I can put the camera above my head, tilt the screen and see the image."

Balerina u skoku u bogato dekorisanoj prostoriji.

Havijera je naročito impresionirao dinamički opseg ovog fotoaparata, kao i kvalitet boja u istaknutim delovima i senkama. Snimljeno pomoću Canon EOS R6 sa objektivom Canon RF 85mm F1.2L USM pri 1/500 s, f/1,8 i ISO 1.600. © Javier Cortés

Balerina pozira na svetlu koje ulazi kroz otvorena vrata. Ostatak prostorije je u senkama.

EOS R6 je naročito efektivan pri slabom osvetljenju, a posebno kada je uparen sa RF objektivom sa velikim otvorom blende. Snimljeno pomoću Canon EOS R6 sa objektivom Canon RF 50mm F1.2L USM pri 1/500 s, f/2 i ISO 200. © Javier Cortés

Javier primarily shot in 4K 50p, his preferred frame rate for fashion. "At first I shot at 25p because I was worried about the speed and the available light, but after seeing there wasn't much grain, I started shooting in slo-mo," he says. "When I had movement and the dancers' clothes were flying, I wanted to capture it in slo-mo so I could work with that in the edit."

Shooting in Canon Log is a must for Javier, who was particularly impressed with the Canon EOS R6's expansive dynamic range. "The Canon Log is really good – you have a lot of information and colour in the highlights and the shadows," he says. "The style of video is closer to the EOS C300 cinema series than a stills camera that shoots video. This Canon Log feels similar to the Canon EOS C300 Mark II."

Kinematograf Havijer Kortez snima dvoje baletana na pozornici pozorišta Massimo u Palermu na Siciliji.

Finalne scene su snimljene u pozorištu Massimo – najvećoj operskoj kući u Italiji. „Uvek me inspiriše osećaj koji imam na nekom mestu, a u Palermu sam bio kao dete koje stalno pokušava da pronađe savršeno mesto“, kaže Havijer.

For the final scene of Javier's film, he shot under the iconic lights of Palermo's Teatro Massimo, Italy's largest opera house. It was the backdrop for the final scene in The Godfather: Part III and it was a place where Javier had long wanted to film. "This is the climax of the video – the place where the two dancers meet," he says. "I wanted to show how they move, how they feel and the contrast of the space.

"One of my main aims on any production – personal projects or fashion films – is to shoot with freedom and try something different, something I'm not used to. Palermo was beautiful – the locations and the light. It was an amazing journey and I think you feel that in the video."

Lucy Fulford

Javier Cortés's kitbag

The key kit pros use to take their photographs

Dva fotoaparata Canon EOS R6 i Canon objektivi na podu od pločica.


Canon EOS R6

Canon's full-frame mirrorless camera is the ultimate hybrid for video as well as stills, with intelligent Dual Pixel CMOS AF, support for a range of video formats including 4K 60p, in-body IS and outstanding low-light performance. "This camera gives you a lot of creativity and you can improvise a lot," says Javier.


Canon RF 50mm F1.2L USM

A lens that sets new standards in photographic performance, delivering supreme sharpness, extra creative control and a low-light performance that's simply remarkable.

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    1. 8-stops based on the CIPA standard with RF 24-105mm F4 L IS USM at a focal length of 105mm